Posts by artbooks

Ep. 79 – The Wild World of Modernist Photobooks in France in the Early 20th Century

Kim Sichel discusses her new book, a richly illustrated look at some of the most important photobooks of the 20th century France experienced a golden age of photobook production from the late 1920s through the 1950s. Subscribe: Apple Podcasts | Stitcher | Spotify | Soundcloud

Ansel Adams, in the beginning

A short Q and A with the author of a new book that explores the little-known early career of one of America’s most celebrated and beloved photographers: Making a Photographer: The Early Work of Ansel Adams. Yale University Press: Your book offers a different perspective on the entire arc of

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A Personal Canon: Katie Hornstein on Five Influential Texts

My recent book, Picturing War in France, is ostensibly about war imagery produced during the first half of the nineteenth century in France.  It is also a book about questions of taste, quality, and the hallowed canon of art history.  The subject of war imagery allowed me to challenge my

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Horace Pippin’s Self Portraits

Anne Monahan — Horace Pippin (1888-1946) painted two self-portraits in the 1940s on his way to becoming the decade’s most successful black artist. Both evince an indifference to illusionistic perspective in line with modern aesthetics, even as his self-taught pedigree appealed to those wary of avant garde styles and politics.

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A Personal Canon: K. L. H. Wells on Five Influential Texts

My development as an art historian has been profoundly shaped by the legacy of modernism and its relationship to decoration, craft, and design. In chronological order, here are five books that have motivated my thinking on the importance of applied arts in the conceptualization of modernism.  Mark Wigley, White Walls,

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A Personal Canon: Benjamin Anderson on Five Influential Texts

Art history may have or be an archive (even a canon!), but it is also a process of translation, remediation, and remaking. Here are five nodes in a network: Robert Wood’s Palmyra (1753): a transfer from architecture to print. In 1751, funded and accompanied by slave-owner and planter James “Jamaica”

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A Personal Canon: Patricia Mainardi on Five Influential Texts

In thinking about writing that has been important to me, I chose publications that did not simply tell me something previously unknown but rather shaped my conceptual framework by opening new ways of thinking about issues. These stand out: Maurice Merleau-Ponty, “Eye and Mind”, translated by Carleton Dallery, in The

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Ep. 78 – L.A. graffiti in a whole new light

Susan A. Phillips talks about her deeply researched study of Los Angeles graffiti that includes marks made by hobos, prisoners, pachucos, surfers, punks, grips, taggers, seafarers, and more. Subscribe: Apple Podcasts | Stitcher | Spotify | Soundcloud

Silence and Gordon Bunshaft

Nicholas Adams– At times, writing about the architect Gordon Bunshaft (1909–1990), former chief designer for the firm of Skidmore, Owings & Merrill (SOM), was like writing about a sulky teenager. Architects, of course, have lots of ways of talking. Philip Johnson was garrulous––people liked to say that he talked a

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A Personal Canon: Eric Mumford on Five Influential Texts

Here is my selection of five books that have defined and redefined urbanism since 1850… Camillo Sitte, City Building according to artistic principles (1889) As an arts and crafts educator in Vienna in the 1880s, concerned about what he saw as the soulless and mechanical extensions of European cities, Sitte

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