Six Key Movements to Unlock a Possible History of Materials Adania Shibli It is embedded in the silence of the spaces in which her works are mounted, as well as in the murmur of those walking around them: “Each person is free to understand what I do in the light
Interview with Bronx Museum curator Antonio Sergio Bessa By David Ebony In recent years, I have been periodically spending time away from the city, in a rural area in upstate New York. It’s a pleasure to be closer to nature after many years as a city dweller. Gardening is a
Explore the prevalence and the significance of images of liquids being poured from vessels in the fascinating and beautiful artworks of 5th century Athens. Yale associate professor Milette Gaifman, with a joint appointment in the Departments of Classics and History of Art, is perfectly situated to discuss what it is the
Molly Haskell— Bridge of Spies, Spielberg’s 2015 Cold War thriller and Academy Award nominee, is based on the exchange of prisoners following the 1960 U-2 incident. Full of meticulous period details, with dark rain-slick streets, reliably beautiful in the silver, blue-gray tones of Janusz Kaminski’s cinematography, the movie, like so
Drawing serves as a vital thread connecting artist Pablo Picasso’s entire body of work. Christopher Lloyd – former Surveyor of The Queen’s Pictures in the British Royal Collection – talks to George Miller about Picasso’s drawings, tracing the artist’s lifelong achievement as a draughtsman. Subscribe: iTunes | Stitcher | Soundcloud
Interview with curators Stephanie D’Alessandro and Luis Pérez-Oramas by David Ebony The paintings of Brazilian artist Tarsila do Amaral (1886-1973)—simply known as Tarsila—and the theory of Anthropophagy, or the philosophy of “cultural cannibalism,” introduced in 1928 by Tarsila’s first husband, Brazilian poet Oswald de Andrade (1890-1954), were for me a
Since taking up photography in the mid-1960s, Robert Adams (b. 1937) has quietly become one of the most influential visual chroniclers of the evolving American landscape. Before turning full-time to photography in the 1970s, Adams was a literature professor, and in a recently published collection of inspiring essays, he reminds
Antonio Sergio Bessa– In his foreword to the 2007 Whitney catalogue, museum director Adam Weinberg wrote with great insight that Gordon Matta-Clark’s work “resisted commodification and the museum context.” I would add that to counter the tendency to commodify, the experiential element in presenting his work is of utmost importance.