The positive reviews for Renee Winegarten’s Germaine de Staël and Benjamin Constant: A Dual Biography continue to pour in. On the heels of Michael Dirda’s glowing review in the Washington Post Book World (June 8), which called attention to the “blazing life” of the two leads, Louis Auchincloss praised the
We are pleased to announce that ForeWord Magazine has honored several of our titles with awards in this year’s Books of the Year list. Dr. Arthur W. Perry’s Straight Talk About Cosmetic Surgery took the Gold Prize in the Health category. Harold J. Cook’s Matters of Exchange: Commerce, Medicine, and
On Sunday The Boston Globe ran a profile of Jonathan Brent, the associate director and editorial director of Yale University Press and the executive editor of the Annals of Communism Series. The series is a 20-book project that “provides new and vivid details from documents that have been mined by
The New Republic has printed an insightful appraisal of famed historian Hugh Trevor-Roper’s capstone work, Europe’s Physician. Reviewer Peter Miller points out that doctors can provide a unique historical window into politics because of their trusted status, proximity to power, and necessary philosophical balancing of science, religion and humanity. “[I]t
How did the rulers of the Soviet Union pass the time during long Politburo meetings in the Kremlin? They doodled. Sketching on notebook pages, official letterheads, and the margins of draft documents, prominent Soviet leaders in the 1920s and 1930s amused themselves and their colleagues with drawings of one another.
Saturday, October 14, marks the centennial of the birth of Hannah Arendt (1906-1975), the German-born political philosopher whose analysis of the nature of power, totalitarianism, and the “banality of evil” still resonates powerfully in our own time. “So it is no accident,” says Edward Rothstein in the New York Times,
Roberta Smith reviewed “Set in Stone: The Medieval Face in Sculpture” in the New York Times today. The exhibit is currently on display at the Metropolitan Museum of Art and will run until February 18, 2007. From the review: “Set in Stone: The Face in Medieval Sculpture” is one of
“Pain is such an uncomfortable feeling that even a tiny amount of it is enough to ruin every enjoyment.”—Will Rogers In a world where more and more people are voluntarily “going under the knife,” it is hard to imagine a time when anesthesia was frowned upon. In the late nineteenth