European History

Lest We Forget: Burials and Beliefs Between the Oceans (and Other Snappy Titles)

Follow @yaleSCIbooks Sarah Underwood— A thousand years from now, casual readers of history probably will not see too much distinction between the people of 1890 and those of 1990. I wonder if they will look at the giant stone angels of Victorian graves and assume that our generations wore black

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To London, with Love: Lost at Sea

Ivan Lett— Here in New Haven, the memory of La Amistad and its historic court trial pervades the memory of our coastline. Popular recreations of the slave ship’s story, such as the 1997 Spielberg film or the ship replica at Mystic Seaport, remind us of the horrors of slavery and

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Lest We Forget: A Religion of Their Own

Sarah Underwood— Mabel Barltrop has been alternatively described as a cult leader, a lunatic, and the Second Coming, but to me, she appears to be a combination of Susan B. Anthony, Martha Stewart, and Jesus. With Octavia, Daughter of God: The Story of a Female Messiah and Her Followers, author

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An Imperfect World

Follow @yaleSCIbooks The early days of scientific investigation resulted in extraordinary collaborations between the artistic community and the scientific one.  Many examples of these concerted efforts to explore, chart, map, test and record are beautifully documented and eloquently explained in Prints and the Pursuit of Knowledge in Early Modern Europe,

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Who Says You Can’t Rewrite The History of the World?

Since you’ve been enjoying our contests and Nigel Warburton’s post on how E.H. Gombrich inspired his new book, we thought we’d try one more challenge for our readers, celebrating the new illustrated edition of A Little History of the World. So it’s not a rewrite, per se, (though the book

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Images of Space: Then and Now

Photographs from this month’s Perseid meteor shower from the International Space Station follow a long tradition of science and art blurring boundaries between each other. As curator Susan Dackerman argues in Prints and the Pursuit of Knowledge in Early Modern Europe, the catalog for Harvard Art Museums’ exhibition opening September 6, art and science often have a close relationship with only vaguely definable boundaries.

Propaganda As Art?: Windows on the War

Windows on the War: Soviet TASS Posters at Home and Abroad, 1941-1945, edited by Art Institute of Chicago curators Peter Kort Zegers and Douglas Druick to accompany an exhibition on view there until October 23, 2011, examines an art form that had been forgotten until now. The stenciled, handmade posters made by the Soviet TASS news agency during WWII are now available to the English-speaking public for the first time.

Proust Ink

Leading Proust scholar William C. Carter has started a website “devoted to studying and celebrating the life and works of Marcel Proust” that offers both a wealth of literary resources and an online course. Along with University of Alabama at Birmingham student Nicolas D. Drogoul, Carter has launched Proust Ink

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J’Accuse! (Heard That One Before?)

On February 7, 1898, French writer Émile Zola was brought to trial for libel in his publication of “J’Accuse” in L’Aurore, a daily, leftist paper in Paris. His indictment of the French military’s treatment of the Drefyus Affair catapulted the anti-Semitic, pro-nationalist conspiracy to international recognition. The sympathetic camp of

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Tuesday Studio: Art For All

This summer, the Yale Center for British Art is presenting the exhibition Art for All: British Posters for Transport.  The show is based around Henry S. Hacker’s collection of promotional posters designed in the primarily 1930s for the London Underground and British Railway system.  The works are exceptional examples both

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