Follow @yaleSCIbooks Sarah Underwood— A thousand years from now, casual readers of history probably will not see too much distinction between the people of 1890 and those of 1990. I wonder if they will look at the giant stone angels of Victorian graves and assume that our generations wore black
Follow @yaleSCIbooks The early days of scientific investigation resulted in extraordinary collaborations between the artistic community and the scientific one. Many examples of these concerted efforts to explore, chart, map, test and record are beautifully documented and eloquently explained in Prints and the Pursuit of Knowledge in Early Modern Europe,
Photographs from this month’s Perseid meteor shower from the International Space Station follow a long tradition of science and art blurring boundaries between each other. As curator Susan Dackerman argues in Prints and the Pursuit of Knowledge in Early Modern Europe, the catalog for Harvard Art Museums’ exhibition opening September 6, art and science often have a close relationship with only vaguely definable boundaries.
Windows on the War: Soviet TASS Posters at Home and Abroad, 1941-1945, edited by Art Institute of Chicago curators Peter Kort Zegers and Douglas Druick to accompany an exhibition on view there until October 23, 2011, examines an art form that had been forgotten until now. The stenciled, handmade posters made by the Soviet TASS news agency during WWII are now available to the English-speaking public for the first time.
On February 7, 1898, French writer Émile Zola was brought to trial for libel in his publication of “J’Accuse” in L’Aurore, a daily, leftist paper in Paris. His indictment of the French military’s treatment of the Drefyus Affair catapulted the anti-Semitic, pro-nationalist conspiracy to international recognition. The sympathetic camp of
This summer, the Yale Center for British Art is presenting the exhibition Art for All: British Posters for Transport. The show is based around Henry S. Hacker’s collection of promotional posters designed in the primarily 1930s for the London Underground and British Railway system. The works are exceptional examples both