William Safire dubs Fred Shapiro “Quotationeer Shapiro” in Sunday’s New York Times Magazine: On the analogy of “Dictionary Johnson,” we call Fred R. Shapiro, editor of the just-published Yale Book of Quotations (well worth the $50 price), “Quotationeer Shapiro.” Like that harmless drudge, as Sam defined “lexicographer,” Shapiro does original
This week, New York Magazine‘s “Approval Matrix,” the magazine’s “deliberately oversimplified guide to who falls where on [its] taste hierarchies,” includes Millennial Stages by Robert Brustein. The magazine placed it in the “Highbrow” and “Brilliant” quarter and called it an “essential collection of dramatic criticism.” View the entire Matrix here.
The New Republic has printed an insightful appraisal of famed historian Hugh Trevor-Roper’s capstone work, Europe’s Physician. Reviewer Peter Miller points out that doctors can provide a unique historical window into politics because of their trusted status, proximity to power, and necessary philosophical balancing of science, religion and humanity. “[I]t
How did the rulers of the Soviet Union pass the time during long Politburo meetings in the Kremlin? They doodled. Sketching on notebook pages, official letterheads, and the margins of draft documents, prominent Soviet leaders in the 1920s and 1930s amused themselves and their colleagues with drawings of one another.
In today’s Wall Street Journal, Mark Miller writes, “There are points of similarity between the political culture of late republican Rome and our own, but the differences reveal how far we have to go before we hit bottom — contrary to the dire warnings emanating from certain political quarters today.”
Saturday, October 14, marks the centennial of the birth of Hannah Arendt (1906-1975), the German-born political philosopher whose analysis of the nature of power, totalitarianism, and the “banality of evil” still resonates powerfully in our own time. “So it is no accident,” says Edward Rothstein in the New York Times,
Roberta Smith reviewed “Set in Stone: The Medieval Face in Sculpture” in the New York Times today. The exhibit is currently on display at the Metropolitan Museum of Art and will run until February 18, 2007. From the review: “Set in Stone: The Face in Medieval Sculpture” is one of