Adam Kirsch— Several years ago, I moderated a discussion between two novelists at the Museum of Jewish Heritage in Manhattan. The setting seemed appropriate, since these were Jewish writers who wrote about Jewish characters and themes. But when I asked them if they considered themselves Jewish novelists, both answered emphatically
Joshua Teplitsky— In January of 2019, Netflix launched a new television program for audiences who had enjoyed previous “home improvement” style shows about living more efficiently with greater style and less clutter called “Tidying up with Marie Kondo.” The show’s primary goal was to help people get rid of unnecessary
Beth Barton Schweiger— The power of literacy’s hold on the modern imagination cannot easily be measured. One way to begin to comprehend it is to pose a question: who is against it? From local school boards to Capitol Hill to the United Nations General Assembly, the consensus that literacy empowers
Tracy Daugherty— “At some deep level, poetry and physics are similar endeavors,” writes Mark A. Peterson, a mathematician and science historian. Both the poet and the scientist use the tools of their craft—words, numbers—to discover core truths about the nature and shape of the universe and humanity’s place in it.
David G. Roskies— Writing, we are told, is a form of resistance. The act of writing is an assertion of one’s selfhood, one’s right to live, think and feel in the face of all that negates it. But writing can just as easily be an escape from reality, an exercise
Alberto Manguel— I would argue that public libraries, holding both virtual and material texts, are an essential instrument to counter loneliness. I would defend their place as society’s memory and experience. I would say that without public libraries, and without a conscious understanding of their role, a society of the
David O. Dowling— In mid-1960s suburban Cape Cod, Kurt Vonnegut—whose ink sketches and signed monographs now command up to $5,000 each—was unknown and his books were out of print. “I was rescued by Paul Engle’s Writers’ Workshop in the mid 1960s,” Vonnegut recalled, “and he didn’t know me, and I
Adina Hoffman— Ben Hecht was “a genius,” Jean-Luc Godard declared in 1968. “He invented 80 percent of what is used in Hollywood movies today.” He “wrote stories—and he made history,” proclaimed Menachem Begin four years earlier, at Hecht’s standing room-only Manhattan funeral. When Hecht was still alive, and invariably kicking,