This is part two of a three-part series. Read part one and three. World-renowned poet Adonis and award-winning artist Adel Abdessemed present a record of their passionate conversations in Paris in this collection of letters written between June 2013 and February 2015. Presented exclusively for the first time here in anticipation
In this popular episode of the podcast, we try to unlock the secrets of the Voynich Manuscript with Raymond Clemens from the Beinecke Library and Joseph Calamia, senior editor at Yale University Press.
This is part one of a three-part series. Read part two and three. World-renowned poet Adonis and award-winning artist Adel Abdessemed present a record of their passionate conversations in Paris in this collection of letters written between June 2013 and February 2015. Presented exclusively for the first time here in anticipation of
David Bentley Hart— When I came to the task of producing my own translation of the New Testament, I knew that there are certain words and phrases in the text that present special difficulties, and that no solution I chose would please everybody. In some cases, the difficulty lies in
On this special Halloween edition of the podcast, cultural historian Leo Braudy, author of Haunted, sat down with us to talk about the history of monsters and other scary creatures. Spooky!
Morten Høi Jensen— One day in mid-August 1936, the Danish modernist writer Tom Kristensen, author of the great novel Havoc (1928), stood in line in Politiken’s bookshop in central Copenhagen next to a tall, gaunt man with thick, black eyeglasses inquiring about a book in fluent, if accented, Danish. The
Feed your book cravings with a book about book, it’s International Book Lovers Day! This list features books about reading books, writing books, studying books, and the history of the book format itself. Book yourself some time to book up in a comfy chair and book out. (How many times
Devorah Baum— In his amazingly pleasurable new book, In Writing, psychoanalyst and writer Adam Phillips describes writing, in his experience, as an “amazing pleasure.” Lucky him. He sits down to write, he says, and the writing just happens—he’s never “trying” to write and meeting some sort of internal resistance or