Gloria Groom— In April 1932, the Art Institute of Chicago, under the auspices of the Antiquarian Society, showed some thirty-nine Impressionist and modern paintings, plus works on paper by American, British and French artists, belonging to the collection of Mrs. Lewis Larned Coburn. The Antiquarians (the oldest support group for
Anne Monahan — Horace Pippin (1888-1946) painted two self-portraits in the 1940s on his way to becoming the decade’s most successful black artist. Both evince an indifference to illusionistic perspective in line with modern aesthetics, even as his self-taught pedigree appealed to those wary of avant garde styles and politics.
Well known during the twentieth century for his bold, imaginative illustrations that brought new characterizations to classic stories such as Treasure Island and The Boy’s King Arthur, N. C. Wyeth (1882–1945) vigorously pursued parallel interests in painting landscapes, seascapes, portraits, still lifes, murals and advertising images throughout his career. N.
Rachel High– Recently published by The Metropolitan Museum of Art and distributed by Yale University Press, My Soul Has Grown Deep: Black Art from the American South accompanies the exhibition History Refused to Die: Highlights from the Souls Grown Deep Foundation, on view at The Met Fifth Avenue through September
Emma Acker– Visitors to the exhibition Cult of the Machine: Precisionism and American Art (March 24-August 12, 2018, de Young Museum, San Francisco; September 16, 2018-January 6, 2019, Dallas Museum of Art) first encounter the work of the Ukranian-born American artist Louis Lozowick in the introductory gallery of the show,
Hélène Valance— This spring, I had the luck to spend a few days in the Eolian archipelago off the coast of Sicily, in a house poised on the edge of a steep cliff overlooking the Mediterranean, with little in sight except the silhouettes of nearby volcanic islands. On my first
We recently had the great pleasure of interviewing Barbara Haskell, American art historian and curator at the Whitney Museum of American Art. She curated the current exhibition, Grant Wood: American Gothic and Other Fables, and edited the accompanying book. Yale University Press: Grant Wood hasn’t had a major exhibition in
“Beauty and the Bologna: the 2017 Whitney Biennial” Interview with the curators Christopher Y. Lew and Mia Locks by David Ebony
David Ebony– This year’s Whitney Biennial, on view through June 11, is an extraordinary exhibition for a number of reasons. Widely regarded as the premier museum survey of contemporary art in the U.S., the Biennial, now in its 78th incarnation, is the first to take place in the Whitney’s new
A century after his death, the breadth and richness of American painter William Merritt Chase’s career are celebrated in a beautifully illustrated book, William Merritt Chase: A Modern Master, by Elsa Smithgall, Erica E. Hirshler, Katherine M. Bourguignon, Giovanna Ginex, and John Davis, and with a foreword by D. Frederick Baker. The
Total Surface—Barnett Newman’s Late Work: Interviews with Michelle White and Bradford A. Epley by David Ebony
David Ebony— A latecomer to the art scene, Barnett Newman (1905-1970) held his first solo show in 1948, at New York’s Betty Parsons Gallery. He made a formidable impact on the art world when he introduced in that show the controversial works for which he is best known today. Decried