Tag American artists

Art on Its Own Terms: Author Amelia Peck on Gee’s Bend Quilts in My Soul Has Grown Deep

Rachel High– Recently published by The Metropolitan Museum of Art and distributed by Yale University Press, My Soul Has Grown Deep: Black Art from the American South accompanies the exhibition History Refused to Die: Highlights from the Souls Grown Deep Foundation, on view at The Met Fifth Avenue through September

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Night, lost and found

Hélène Valance— This spring, I had the luck to spend a few days in the Eolian archipelago off the coast of Sicily, in a house poised on the edge of a steep cliff overlooking the Mediterranean, with little in sight except the silhouettes of nearby volcanic islands. On my first

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“Undoing a building” with Gordon Matta-Clark

Antonio Sergio Bessa– In his foreword to the 2007 Whitney catalogue, museum director Adam Weinberg wrote with great insight that Gordon Matta-Clark’s work “resisted commodification and the museum context.” I would add that to counter the tendency to commodify, the experiential element in presenting his work is of utmost importance. 

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On Corita Kent and the Language of Pop

Corita Kent and the Language of Pop is an exhibition opening this Thursday, September 3rd, at the Harvard Art Museums.  The Boston Globe recently published a piece in which Cate McQuaid whimsically proposes that if Don Draper and Mother Teresa had a love child, it would be Corita Kent.  The

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Curator Barbara Haskell on Robert Indiana: Beyond LOVE

One of the exhibitions currently on view at the Whitney Museum of American Art is the extraordinary Robert Indiana: Beyond LOVE.  According to Forbes magazine, the exhibition is “A long overdue celebration of the depth and breadth of the 85-year-old Indiana’s work over five generations.”  Yale University Press is distributing

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Eva Hesse: “Pre-Sculpture”

Kirsten Swenson, a contributor to the new book, Eva Hesse 1965, edited by Barry Rosen, writes here on the artist’s important transitions beginning in the last five years of her short life, as Hesse changed media from drawing and painting to sculpting the works for which she is so widely known.

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Notes from the Field: Jay DeFeo: A Retrospective

Monumental is a word often applied to descriptions of Jay DeFeo’s The Rose. With an estimated weight of 2,000-3,000 pounds, “monumental” is hardly a misnomer. However what might strike visitors to the Whitney Museum’s recently opened DeFeo retrospective is not simply the heft of the piece but its surprising serenity.

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Jasper Johns: Ways of Seeing

Follow @yaleARTbooks An interaction with the works of Jasper Johns is an interaction with the processes of perception. His enormous impact on the development of Pop art, Minimalism and Conceptual art in the 1950s and 1960s had much to do with his dedication to and manipulation of our limits of

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John Baldessari Cometh

Introduction for a man who needs no introduction We are excited to share the news that the gorgeous, monumental Volume One of the John Baldessari Catalogue Raisonné, featuring 500 color illustrations of work from the early, formative years of the artist’s career, is on the verge of being released.  And though

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Notes from the Field: Art Jam

Zoe Strauss is an unconventional young artist whose exciting, provocative photographic work culminates annually in a show she organizes: “Under I-95” takes place under Interstate 95 in South Philadelphia.  Her photographs are displayed on the concrete pillars that support the highway, and photocopies of the images are sold for $5

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