Antonio Sergio Bessa– In his foreword to the 2007 Whitney catalogue, museum director Adam Weinberg wrote with great insight that Gordon Matta-Clark’s work “resisted commodification and the museum context.” I would add that to counter the tendency to commodify, the experiential element in presenting his work is of utmost importance.
Corita Kent and the Language of Pop is an exhibition opening this Thursday, September 3rd, at the Harvard Art Museums. The Boston Globe recently published a piece in which Cate McQuaid whimsically proposes that if Don Draper and Mother Teresa had a love child, it would be Corita Kent. The
Kirsten Swenson, a contributor to the new book, Eva Hesse 1965, edited by Barry Rosen, writes here on the artist’s important transitions beginning in the last five years of her short life, as Hesse changed media from drawing and painting to sculpting the works for which she is so widely known.
Monumental is a word often applied to descriptions of Jay DeFeo’s The Rose. With an estimated weight of 2,000-3,000 pounds, “monumental” is hardly a misnomer. However what might strike visitors to the Whitney Museum’s recently opened DeFeo retrospective is not simply the heft of the piece but its surprising serenity.
Follow @yaleARTbooks An interaction with the works of Jasper Johns is an interaction with the processes of perception. His enormous impact on the development of Pop art, Minimalism and Conceptual art in the 1950s and 1960s had much to do with his dedication to and manipulation of our limits of
Introduction for a man who needs no introduction We are excited to share the news that the gorgeous, monumental Volume One of the John Baldessari Catalogue Raisonné, featuring 500 color illustrations of work from the early, formative years of the artist’s career, is on the verge of being released. And though
Zoe Strauss is an unconventional young artist whose exciting, provocative photographic work culminates annually in a show she organizes: “Under I-95” takes place under Interstate 95 in South Philadelphia. Her photographs are displayed on the concrete pillars that support the highway, and photocopies of the images are sold for $5