Tag contemporary art

Kerry James Marshall’s “SOB, SOB” and David Dabydeen’s Philosophical Aesthetics​

Abigail Zitin— I remember it being at eye level; else how would it have caught my eye? I had gone to see Mastry, an exhibition of works by the African-American painter Kerry James Marshall, at the Met Breuer in January 2017. The painting in question, like most of Marshall’s, is large: six feet

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Torosaurus, Sea Form: What’s in a Name?

James Prosek— For an exhibition at the Yale University Art Gallery and an accompanying book, both titled James Prosek: Art, Artifact, Artifice, I juxtaposed objects from the collections of the Gallery, the Yale Peabody Museum of Natural History, and the Yale Center for British Art and works made by me.

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A Day at the Beach and Some Other Interesting Times at the 2019 Venice Biennale

By David Ebony  I. La Biennale di Venezia #58  The 2019 Venice Biennale, on view through November 24, has the head-scratching, ironic title “May You Live in Interesting Times.” The exhibition’s American-born, London-based curator Ralph Rugoff, director of the Hayward Gallery since 2006, says that the phrase has been invoked

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In Your Digital Dreams: Art in the Age of the Internet

Interview with Jeffrey De Blois By David Ebony One of my first internet projects was to write a monthly column for a website called Art Icons, beginning in the early 1990s. An experimental site, short-lived, and now defunct, Art Icons was perhaps one of the first web venues devoted exclusively

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Encountering the Spiritual in Contemporary Art

Leesa Fanning– Encountering the Spiritual in Contemporary Art is the result of many years of research fueled by my intense interest in the subject, the pursuit of which is ongoing. I initiated this publication by creating an archive of hundreds of works of art based on my own aesthetic preferences,

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A meditation by writer Adania Shibli on the art of Mona Hatoum

Six Key Movements to Unlock a Possible History of Materials Adania Shibli It is embedded in the silence of the spaces in which her works are mounted, as well as in the murmur of those walking around them: “Each person is free to understand what I do in the light

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Art Can Help

Since taking up photography in the mid-1960s, Robert Adams (b. 1937) has quietly become one of the most influential visual chroniclers of the evolving American landscape. Before turning full-time to photography in the 1970s, Adams was a literature professor, and in a recently published collection of inspiring essays, he reminds

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Viva Art and Artists! The 2017 Venice Biennale Calls for Celebration, but is this a Time to Party?  

David Ebony — The biannual pilgrimage to Venice for the venerable, and ever more enormous international art show known as La Biennale di Venezia, is a worthwhile endeavor for anyone interested in the evolution of contemporary art. Unfailingly, the show offers a rewarding experience whether the core exhibition is a

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“Beauty and the Bologna: the 2017 Whitney Biennial” Interview with the curators Christopher Y. Lew and Mia Locks by David Ebony

David Ebony– This year’s Whitney Biennial, on view through June 11, is an extraordinary exhibition for a number of reasons. Widely regarded as the premier museum survey of contemporary art in the U.S., the Biennial, now in its 78th incarnation, is the first to take place in the Whitney’s new

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An interview with Dana Miller, curator of Carmen Herrera: Lines of Sight

Ivy Sanders Schneider– Carmen Herrera, who will celebrate her 102nd birthday this year, is finally a household name. Born in Havana, Cuba, Herrera has lived and worked in New York for over sixty years, but sold her first piece of art in 2002. She had her first major retrospective last

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